RI Flower Show Recap

Whew! its over! We had a slow day then a snowy day with poor turnout and finally two days of good traffic. It was a good growth experience for me, definitely enriching in many ways. Aside from earning money doing shows like this offer me a wealth of opportunities to expand my comfort zone. For example:

- I'm learning to talk more easily to people about what it is that I do

- Opportunities to meet other vendors, observe how they approach marketing their work and share ideas

- Learn about other shows from people with first hand experience with them

- The inevitable downtime gives me an opportunity to reflect on my inventory, marketing and presentation, and to consider new directions I want to take

I also find I tend to have a week of reflection and regrouping after it is over. Perhaps I need to assimilate all the new information and experiences before I can begin to really dive back into the creative work. I've developed some new ideas about how to best market my work, reaffirmed a new direction I want to explore and now I'm ready to go again!

RI Spring Flower and Garden Show

In less than a week I will be exhibiting at the Rhode Island Spring Flower and Garden Show. I have never done a show of this size before so I’m a bit nervous about it. I’ve spent some time since November thinking about how I want to market my work and I’ve decided that since I want to concentrate more on the work that is important to me I will have to step up my game a bit.
I started a couple of years ago making tie dyed t-shirts and selling them at craft fairs. It was an important step for me at the time to just get out there and give it a try. I make very nice tie dyes and being able to sell them gave me a real confidence boost. Since then I have begun to develop work that is far more intensive than tie dyes. This is the type of work I love to do and I want to concentrate on. However doing so means I will have to find more upscale venues than high school gymnasiums in order to sell it for what it is worth. Thus the RI Flower Show.
Since it’s a flower show I wanted to have something thematic in addition to my usual work, I had two floral pieces done, the poppies above and the daffodils I made last year. I decided to do a couple more floral piecework banners to compliment those. Here is how it went…
I started with four scetches of designs I wanted to do and quickly realized there was no way I would be able to get them all done in time so I narrowed it down to two.
The little designs were scaled up to the size I wanted and drawn onto transparent film.
I decided I wanted to add a ground element behind the floral to strengthen the composition. I needed more greens for the leaf and ground elements so I dyed a selection of fabrics that I could use together using the soda soak method.
To create a range of 8 greens I started with 4 colors: gold, grey, green and brown each in a 10 grm/1C base solution. By using the same core colors in varying amounts I can create a range of greens that are harmonious.
I started by working out the colors I wanted by using a chart like so:

Each number represents an equal part (Olive green = 1pt gold + 3pt green + 2pt brown)
To create the 3 different densities I cut the base solution with water to a third of its strength and again to a third of that strength.
The fabric was krinkled up onto a flat surface and the dyes were squirted on using bottles
Dk and Md on one piece Md and Lt on another to create a light and a dark version of each color.
Here is the range of greens I got:

I used the same process to create a range of pinks and violets.
All fabrics were then cut fused and stitched to create these two new flower pieces

Artistic ADD

I really admire those artists who commit to a project, settle in, and develop a really deep body of work. At one time in my life I was able to do this but not these days. I have managed to (mostly) limit myself to Shibori/dye based work but that still seems to cover a great deal of ground...Fused piecework, digital piecework, shibori on paper, shibori on fabric, heat set shibori... I seem to be flitting between about 10-12 projects right now, which is a bit schizophenic sometimes. I suspect this has to do with overcoming an artist's block I have struggled with for many years. The ideas are coming thick and fast and for once I have given myself permission to just explore them as best I can. My inability to settle has something to do with fear (what if I give up the "right" project) and something to do with ego (I can do it all if I just give up sleeping) but I think I will just have to let it work itself out. My suspicion is that it will clear itself up after awhile or maybe it won't but I will become more comfortable with keeping so many balls in the air. In the meantime I will keep chipping away at the list of projects/ideas. This picture is one of the new pieces I've been working on.

Mokume Ginko Redux

I was excited with the results from my previous tries with heat set Shibori and of course I had about 65 new ideas based off of it... Sooo... I picked one to play with.

Using Mokume Shibori I revisited the ginko design and tried heat setting it.

Here it is step by step:

1. scetched the ginko design on poly fabric and stitched it using the

Mokume (wood grain) technique, running stitches, in this case following the curve of the design.

2. Once the entire design was stitched I pulled the stitches and tied them off to create the resist effect.

3. I heat set the design by submerging it in water and microwaving it for 6 minutes on high ( 3 min at a time for safety)

4. Once it was heat set I removed the stitches, I didn't even let it dry you can see the water droplets on it.

It looks much better with dramatic lighting!

5. I finally decided to try cutting out the shape and singing the edge to keep it from unraveling, leaving (ha!) me with this sculptural form

I really like it, now I have to decide how to use it in a larger piece of work!

feels like fire

feels like fire
Originally uploaded by Zenith Phuong

This gorgeous photo by is my inspiration for the Project Spectrum Challenge on flickr. For the challenge this year there are 4 color combos each based on one of the four elements fire, earth, water, and air. Each element gets two months so everyone can have a chance to finish. Most of the group are knitters but there are no limits to media just color/concept so I figure there is room for some Shibori. First up is Fire using Red, Orange, Yellow and Pink . I totally love this kind of challenge, open ended, lots of room for interpretation just fun. I will try something a bit more ambitious than I've done in awhile, designing two coordinating fabrics for a particular sewing project...probably a garment. I feel fairly confident about dyeing. However this will require a larger piece of fabric than I've attempted before and that always creates a few challenges. I am less confident about the construction part, I haven't sewed a garment in a while. But I'm getting ahead of myself... I think it will be fun to take part and I encourage everyone out there to join in with their own fire inspired projects!

Itajime dyeing

I’ve been asked by a couple of people what I meant by “three tones of Navy” in my last post and for some details on how the dye was applied to the itajime piece. I had some trouble photographing the process in a way that showed anything because the dye is so dark and the clamping system obscures how the dye is taking to the fabric, so I’m gonna use diagrams instead.
With this project I was aiming to dye the fabric an indigo blue so very little white was left. Procion dyes are fairly strong and I wanted the design to be as dynamic as possible even though I was only using one color. Using a single color in such a heavy application would most likely come out looking something like this: large blocks of color with very little fluctuation of tone, not very interesting…
So I opted to use the Navy color in three strengths.
I started with 3c of a dark navy solution ( 20gm>1c),then I took 1c of that and added 1c of water to create a half tone(10gm>1c),
then 1c of the half tone and added 1c water to create a quarter tone (5gm>1c);
Once I had the three tones of dye I dipped areas of the folded fabric into them
2 corners into the lightest
1 corner into the mid
then I went back over the areas I had dyed with the light tones and applied the darkest color with a sponge brush on top or overlapping (here all three edges of the triangle)
The difference in the fabric's wetness and the way the lighter colors dilute the darker dye helps to create a more dynamic pattern